![]() Based on a series of uber-popular historical romance novels by Julia Quinn, who has been described as "our contemporary Jane Austen," Bridgerton is the flashy first outing in Shonda Rhimes’ eye-popping $150 million development deal with Netflix. Bridgerton, as Page describes it, is “funnier, faster, wittier, and unashamedly sexier” than its predecessors in the genre, which might explain why its decadent dances are scored to string arrangements of needle drops by Billie Eilish and Ariana Grande. Like so much else about the series, Bridgerton’s dance scenes are impeccably crafted, visually spectacular, as swoonworthy as they come-but with a saucy, modern twist. Kelly McCreary Reflects on Grey's Surprise Finish.Grey's Anatomy Has a Searing Healthcare Critique.How 'Grey's Anatomy' Is Bringing COVID-19 to TV.I think we learn the most about the characters on the dance floor.” Then suddenly, there's this place where you can't hide. They're not frivolous they’re the real heart and soul of the story, because everything else is a two-level dialogue where you say one thing and mean another. I think that's why dances are so central to these stories. “Once you start dancing, you get to be honest. “The dancing was a gift,” Page says, Zooming from his living room in late November. For performers like Page, scenes like this one unlock the true richness of the story. What remains are two spellbound dancers, emotionally naked as they came, illuminated for the first time in the radiant truth of their feelings for one another. ![]() Fans of the genre know the familiar beats by heart: in that single, remarkable dance, everything falls away-the glittering ballroom, the clamoring crowd, the peacocking revelers. ![]() With a global audience of millions expected to tune into Bridgerton, he couldn’t stand to get it wrong, this one incandescent scene that makes or breaks a period drama. That’s why he put in the grueling choreography rehearsals and stayed late to get the steps right, meeting up after hours with his costar, Phoebe Dynevor, to practice their elaborate dance routines, as their “unofficial soundtrack” of Beyoncé hits blared through the rehearsal room. When Regé-Jean Page started filming Netflix’s Bridgerton during the summer of 2019, he knew full well that, in every period drama worth its salt, sooner or later, it all comes down to one extraordinary dance. However, specific production dates and release dates for these projects have not been announced.Sweater and hoodie by Louis Vuitton. There was also an announcement that he would executive produce and appear alongside Glen Powell in the AGBO and Russo Brothers' television series, Butch and Sundance. Reports in 2021 suggested that Page would star in and executive produce Paramount's reboot of The Saint, as well as feature in an untitled heist film by Noah Hawley. Page also appeared in Paramount Pictures' Dungeons & Dragons: Honor Among Thieves (2023). He appeared in the Netflix original movie The Gray Man (2022) and lent his voice to two podcast episodes of The Sandman: Act II (2022), an audio book adaptation by Neil Gaiman. In addition to his work in Bridgerton (2020), Page has been involved in other projects. He received nominations for awards, including the Emmy Awards (2021), and won prizes at the NAACP Image Awards (2021) and the MTV Movie & TV Awards (2021). Page's performance in Bridgerton (2020) captured the attention of audiences worldwide. ![]() Before his breakout role in Bridgerton (2020), Page appeared in the miniseries Roots (2016) and the television series For The People (2018-2019). He gained recognition for his portrayal of Simon Basset, the Duke of Hastings, in the first season of Netflix drama series Bridgerton (2020). Regé-Jean Page is a British actor mostly known for his work in television.
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